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The album's cover art was taken by a local Houston photographer, who sent them his portfolio of pictures to choose from the eventual cover art was the first photograph Letchford saw in the portfolio. The cover art of this album is taken from The Wave, a sandstone rock formation in Arizona, USA.īy contrast to their first album, Letchford described Carving Desert Canyons as "a lot more organized" than their debut, in addition to being better produced as it was funded by an actual record label. Track listing No.Ĭarving Desert Canyons was released on February 17, 2009, and was the band's first album to be released on a record label, Prosthetic Records. Letchford described the songs as "a lot more up tempo and in my opinion less organized, due to the lack of writing experience", and the production process as being sub-par in comparison to the band's standards owing to being self-funded. Monument, the band's debut album, was self-released on Jand funded by the band members themselves. Produced by Chris Letchford and mixed by Anup Sastry. Featuring guests Nick Johnston, John Browne (Monuments), Angel Vivaldi, Jeff Loomis, James Iyani, Scott Carstairs (Fallujah), Per Nilsson, Yvette Young, and Nathan Navarro.Progressive metal, progressive rock, instrumental rock
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Chris Letchford, the primary song writer since the creation of Scale The Summit teamed up with the mighty Charlie Engen on drums and Kilian Duarte on bass to create the most anticipated album in instrumental metal in years. SCALE THE SUMMIT has released their 6th studio album "IN A WORLD OF FEAR". SCALE THE SUMMIT stunned their fans and critics alike on their latest 2015 release “V”, which expertly showcased the instrumental progressive rock band’s sound across an array of beguiling soundscapes throughout each of its ten tracks. Mixed and mastered by longtime producer Jamie King (BTBAM, The Contortionist), “V” broke its way onto several of the year’s “Best of” lists being lauded as “downright flawless” (ItDjents) whille maintaining “ a collection of triumphant compositions that feel like a delightfully delirious, arrestingly hypnotic experience” (Metal Sucks). Described as “post-rock at its most melodic and dynamic best” (Alternative Press), the album was supported by extensive touring across North America and Europe, as well as appearances on several notable festivals (Yestival, SXSW, Cruise to the Edge, etc).
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With new bassist Mark in tow, the band then headed to King's Basement Studios in North Carolina to record "The Migration" (2013), their first effort to crack the Billboard Top 200. The group self-released their first album, 2007's "Monument," before signing with Prosthetic for the 2009 release of their sophomore effort "Carving Desert Canyons." That album earned acclaim from fans, critics and peers alike - none more high-profile than former Dream Theater drummer Mike Portnoy, who asked the band to take part in the group's Progressive Nation tour that year.įrom there, SCALE THE SUMMIT supported the release of 2011's "The Collective" with rigorous touring. The group's fifth album, "V," sees the group further develop their colorful musical palettes thanks to the addition of new drummer JC and the work of returning mixer Jamie King (BTBAM, The Contortionist), who also collaborated with the band on 2013's Billboard-charting "The Migration."ĭescribed as "essential prog" by Guitar World, SCALE THE SUMMIT was formed in 2004 after guitarists Chris and Travis met while attending Hollywood's Musicians Institute. This mix of classic and contemporary, timeless and topical is also reflected in the instrumentalists' evocative sound, which is just as vital in today's post-post- / anything-goes world of shuffled playlists as it would have been on the freeform rock radio playlists of the 1970s. From legends like Dream Theater and Yes, to cult heroes such as Cynic and Devin Townsend, to modern trailblazers such as Periphery and BTBAM, to heavy experimentalists like Intronaut and Mastodon, the band has shared stages with a who's who of the genre's past, present and future. At this point in their career, it's almost easier to list the prog acts SCALE THE SUMMIT haven't toured with than the ones they have.